Lockdown Bubble, June 2020, WERK Studio NK.

Focusing on farm’scape ecology and the important role soil plays in climate change Digging the pedospheric vibes is an a assemblage of sounds created by the flora and fauna of a soil’s ecosystem utilizing a variety of bioacoustic techniques and microphones to capture seismic vibration from substrate as well as hydro and airborne sounds – providing a range of frequencies, timbres and biorhythms to be used as instrumentation for composing electronic music. This project is supported by the Senatsverwaltung für Kultur & Europa stipendium.

2 3RD festival
Photos : Ink Agop © Creamcake

LUGLIO in its pliable form is activated by both performers upon the stage—on a par with each other in holding and remodeling the morphing psychographic and immediate landscape.Ajmore explores the body as a malleable and changeable material, transforming the space in a place in a constantly changing process of becoming. Mangan plays with the sound of biotic insects and birds presenting mutated biorhythms of living and extinct animal voices.   Created and performed by Annamaria Ajmone  and Felicity Mangan.
July 3, 2020, Hortus Festival – Cantieri Culturali Isolotto, Florence.
August 15, 2020, 3hd 2020: UNHUMANITY;  (curated by Creamcake), Schloss Biesdorf, Berlin.

Native Instrument (2015 -2019) (Shelter Press / Entr’acte) Lo-fi bug beats, field recording and voice adaptation with Stine Javin Joh.

Plants and Animalia (C.E.S vs. Felicity Mangan) (2017-19)

Christina Ertl-Shirley vs Felicity Mangan – Labor sonor 23.10.17 from Felicity Mangan on Vimeo.