Quadra’frog’ic – Presents a quasi-bioacoustic piece utilizing found and self-recorded animal sounds amplified through a stereo sound system and transducers attached to found objects. Stereo’frog’ic – Presented in stereo form.

Native Instrument (2015 -2019) (Shelter Press) Lo-fi bug beats, field recording and voice adaptation with Stine Javin Joh.

C.E.S vs. Felicity Mangan (Plants and Animalia) 

mimic insects

C.E,S. vs. Felicity Mangan, (Plants and Animalia) brings together both artists personal investigation into the sound phenomena produced by plants and animals – through the combination of c.e.s. submerged sonification of plant biochemistry, deploying self-built synthesizers, to capture and sonify of the chemical composition of plants. Mangan explores the timbre and forms of found and self-recorded animal voices while mimicking biophonic patterns to create minimal quasi-bioacoustic environments, utilizing a sampler and sequencer. Together they create electro-acoustic compositions grafting field recordings, live and pre-recorded drones and pulses produced by remnants of plant biochemistry subterranean together with modified animal voices embedded in a bioacoustic sphere of synthetic and oscillating hybrids.

Christina Ertl-Shirley vs Felicity Mangan – Labor sonor 23.10.17 from Felicity Mangan on Vimeo.