All music is produced with the sounds or imitation of animals; often played with other artists and producers whose work features concepts of the same nature.
Quadra’frog’ic – Presents a quasi-bioacoustic piece utilizing found and self-recorded animal sounds amplified through a stereo sound system and transducers attached to found objects.
Photos were taken at Galerie Weisser Elefant, 14.9.18.
Native Instrument (Shelter Press) Lo-fi bug beats, field recording and voice adaptation with Stine Javin Motland
C.E.S vs. Felicity Mangan (Plants and Animalia)
C.E,S. vs. Felicity Mangan, (Plants and Animalia) brings together both artists personal investigation into the sound phenomena produced by plants and animals – through the combination of c.e.s. submerged sonification of plant biochemistry, deploying self-built synthesizers, to capture and sonify of the chemical composition of plants. Mangan explores the timbre and forms of found and self-recorded animal voices while mimicking biophonic patterns to create minimal quasi-bioacoustic environments, utilizing a sampler and sequencer. Together they create electro-acoustic compositions grafting field recordings, live and pre-recorded drones and pulses produced by remnants of plant biochemistry subterranean together with modified animal voices embedded in a bioacoustic sphere of synthetic and oscillating hybrids.
Christina Ertl-Shirley vs Felicity Mangan – Labor sonor 23.10.17 from Felicity Mangan on Vimeo.
