Releases

Train Tracks recorded and Editing by Felicity Mangan (Possible Motive) 2022

Wet on Wet (Warm Winters Ltd./ Klangklang) 2022

Creep Crawly (Mapps) 2020

Somewhere between the buzzing Cyborg bugs and the whistling of extinct birds. Welcome to the hybrid zoo built on the ruins of the biotic crisis. You can explore the chirping, singing and trilling of birds and insects, which you know from pictures of cryptozoological encyclopedias or go straight to synthetic ornithology, where you can listen to mutated biorhythms. Everyone knows Mockingjay call, but who heard the voice of the Double-headed emu or the rustle of invisible community living in the crown of the Muku tree? (Mappa, July 2020)

Stereo’frog’ic is a play of the word stereophonic – to play with the illusion of multi-direction audible perspective – in this case presenting a quasi-bioacoustic sound piece, crafted from found recordings of frogs, insects, a recording of an animal scattering in the bushes and other ‘vocal’ animals wavering about in the stereo field. (Longform Editions, March 2019) Review in A Closer Listen

Bell Metal Reeds (One Instrument) – Nov 4th, 2021

For the release on One Instrument the mouth organ is her instrument of choice. Felicity explores the resonance and pitch of the reeds within at the harmonica The Echo Harp of the brand M. Hohner.
“Bell Metal Reeds” shows a committed and ambitious composition in each singular tone. The striking attention to detail and commitment to investigating tonal possibility characterizes throughout the whole body of work.

As an amateur player, through breath and minimal electronic music composition techniques she composed four beautiful organic ambient pieces within the parameters of the One Instrument concept.
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Composed and produced by Felicity Mangan
Mastered by Luca Sammartin
Original artwork and layout by Marco Ciceri